Chapter 20: A New Love

Annabel has gone over to see
Edwin. I met him in the library soon after we moved in. He
introduced himself as a painter and photographer. So I took
Annabel over to see him. Now whenever she has a technical
problem she goes over for advice.

Only it isn't just advice she
goes over for. She is looking for something else. She isn't
quite sure what it is at the moment, but she is getting stale.
She needs something new. She needs new ideas for her
paintings. She needs something extra, something outside the
repetitions of housework, maybe even a romance.

She is beginning to get
slightly bored with her routine. And there is something
missing in her love life. Her male is starting to take her for
granted. He should say a whole host of wonderful things. He
should kiss her properly, not those silly kisses, but proper
ones; kisses that envelope her and drown her. He should grab
her and completely shut out everything else so there is just
the two of them, and the kisses should be joining them
together as one person, so there aren't any spaces between;
and not just physical spaces, but mental and emotional spaces
as well. Those gaps should all be eliminated. The whole
situation should be the most wonderful and vital experience of
life, not like kissing mummy goodbye on the station platform.

The trouble with the male is
that he doesn't have any soul or proper emotions underneath.
All the emotions are merely surface things, that quickly pass,
and are not deeply felt. At least they don't seem to be deeply
expressed when the male is supposed to be making love.

Making love is the ultimate
expression of human experience reaching across to another
person; a great tumultuous outpouring of the deepest felt
emotion. The whole body should express the actuality of the
soul breaking its bonds and leaping into the universe, and
reaching out to grasp another human being. That outward leap
with the body is the greatest thing that can happen to an
otherwise hide-bound and dull human being. A coming together
with another soul is a great and wonderful act of faith, and
an act of affirmation, and trust. It is a belief in the other
person; an acceptance of the other person, and an ecstatic
desire to bridge that almost impossible gap between one being
and another. Making love is the ultimate union of two people
and should be the most extraordinary and exciting thing in all
creation. And indeed, isn't it an act of creation itself?

And what does the male do? He
maintains his own identity throughout the whole process. He
never for one moment lets himself go, allows himself to be
submerged in the joining of two souls. Maybe he is saying
'yes' outwardly, but 'no' inwardly, and so everything is
reduced to a staid matter-of-factness. The act of love becomes
merely another daily event. Love tumbles into the mundane, and
is demoted completely. Another illusion has been destroyed.

Why is the male so satisfied
with a simple release, a simple satisfaction? Why doesn't he
see the vast potential? Cant he grasp the significance of what
should be happening?
She is thinking about Edwin; wondering what it would be like
with him. Would it be any different?
* * * * *
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