Three Dont Tango 32

Chapter Thirty-Two - Come to Bed

I am still working three days a week on the building site, working long hours till I can hardly see what I am doing. I get so tired I begin to stumble as I walk, and keep dropping things I am holding. I feel sick with weakness, and start shaking. The only thing that keeps me going is the fact that I have almost finished.
Back at home Annabel is getting supper for the children, and getting them packed off to bed.
Next door Cindy has left home about four o'clock and is driving up to London for a couple of days.
Terry is still teaching until seven o'clock.
I am stumbling around like a zombie out of essential juice.
Annabel is excited. Her eyes are sparkling, and she is confident. In fact she is cock-sure of herself. A new world is opening for her.
Cindy is doing just what she did every thursday afternoon; going in to London to buy and sell jewellery.
Terry is expecting to come home and have a quiet evening marking homework.
I finally hit the sack and crash out, totally exhausted.
Annabel changes, reads the kids a story, and talks for a while with Cephren, answering his questions about such interesting subjects as "what is water made of?", and "why is it wet?". Then she turns off Mini's light, and looks out of the bathroom window. The woods at the back of the house are in total darkness. There isn't a light to be seen anywhere.
Terry doesn't hurry home; why should he? He packs up, chats for a while in the staff room, and then eventually gets in his car and drives back.
Annabel clears up in the kitchen, and peers through the curtains, but the woodland is still in total darkness. She goes upstairs and looks at her pictures, sucks a pencil, and purses her lips, furrows her brow, and starts thinking, ostensibly about her next picture, but in reality her thoughts drift off totally at random. She puts the picture down, and looks round the room, then looks out of the back window. The garden is still dark, so she starts tidying her painting room as well. It is time something was done with it. There are boxes, frames, stones, bits of wire, and heaven knows what all over the place. The whole room is like the inside of a schoolboy's pocket. But as she picks up things she is beset by the urgent question of where to put them down. In the end, exasperated, she puts everything back where it was, and goes into the bathroom to look out of the window.
Terry arrives home, wanders around a while, sorts out his books, and looks to see what Cindy has left him in the oven, then goes upstairs.
Annabel is looking out of the bathroom window. She notices the light and smiles. "About time too," she mutters. She has a quick look in the kids' rooms to see all is well, goes downstairs, slips on her coat, and walks up the hill.
"I didn't expect to see you." Terry's eyes light up. "Come in. Do you want a drink?" Annabel comes in, sits down on the window seat, accepts a drink of sherry, while Terry pushes his marking to the end of the table, and gets his dinner out of the oven. "Have you eaten?"
"Yes, I had supper with the kids."
"You don't mind if I eat mine?"
She is happy just sitting there. It is so peaceful. There are no violent auras flying about. No-one is battering at her brain, or impinging upon her thoughts. No demands are being made either consciously or unconsciously.
She sips her sherry and watches with a certain amount of amusement as Terry eats his dinner.
Terry is pleased. How nice to have the lovely Annabel around. He can expand a little, especially as Edwin isn't there, and he can flirt. He is chattering away. In fact he is talking a lot, but this is a blind.
They go into the sitting room. The evening wears on. Annabel is playing a simple, straightforward part. She is the princess in the story. She knows exactly what she is doing. She fancies the hero, and as far as she is concerned the male sitting over there is the hero; at least he is for the moment.
They talk, they do the crossword, but those little leads, tossed out so absent-mindedly dont produce the required punch-lines. Annabel is getting tired of fencing around. She decides to push the issue, and goes upstairs.
She gets into bed. After all, why not?
Terry turns to the marking, and opens a book. He starts correcting. His head is full of latin and greek, and odalisques twirling around with very little on. He marks the first set of creaky sentences, and puts the book to one side. He takes up the second.
Upstairs Annabel is waiting.
Downstairs Terry is marking books. He is deliberately indulging in displacement activities. The books are an excuse not to go upstairs. The books are an alibi. He is ticking, crossing out, and writing explanations. Is he afraid to go upstairs? He moves on to another book. He is trying not to think of a naked girl in his bed.
Meanwhile, upstairs Annabel is still waiting.
The night outside is just as dark. Inside are the questions. Is he going to do it? Or is he going to keep that self control going? Is he going to be like Edwin? Will it all be different?
The clocks ticks methodically on the window-ledge.
Upstairs Annabel has gone to sleep.
It is four in the morning. Annabel has just woken up. She leans over, switches on the light, and looks at the clock. The house is silent.
Downstairs Terry is staring into the fire. He has finished his marking and he is dreaming.
Annabel gets out of bed and goes downstairs. Terry is sitting on the sofa. She goes up to him, puts her arms around him. "Aren't you tired? What's the matter?"
He gives her a little kiss. "I was thinking."
"Come to bed." She kisses him back.
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Chapter 33 >>>


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